|The Bloomsbury Music Group's AGM on Tuesday 28 June led to changes in the way the ensembles will be run from now on.|
Andrew was delighted to be given a new composition by Shea Lolin, our former director of music as he stepped down from being chair after 12 years,
CalledThe Chairman Dances, this is a work for an ensemble of reed instruments: two clarinets, two alto saxes with bassoon and contrabassoon accompanying a solo line on bass clarinet (the instrument that Andrew plays).
This new piece of music was a gift from members of the group. They also presented Andrew with a signed copy of the first page of the score.
In future the committee with responsibility for running the BMG charity will be chaired by Chris. Liz continues as chair of the committee that runs the Bloosmbury Band while Colin is now the chair of the committee overseeing the activities of the Bloosmbury Woodwind ensemble.
|We were delighted that Shea Lolin (left in the image), our former director of music, was able to attend our May 2022 concert. conducted by our new director of music, Michael McGowan (right).|
Shea had devised the programme of train music before the pandemic in 2020. Only now were we able to perform this intriquing programme. At that time Shea felt that a slightly different voice was needed in the programme to contrast with other works based round train rhythms. He took his inspiration from the video game, Alice: Madness Returns which features the infernal train. The train is a huge, fiery and truly horrifying locomotive. This led to his new composition, The Infernal Train, which is rhythmic, fast and bold.
|BWE is looking forward to its May 14th concert:: 'On the Right Track'. This evening, Michael, our new director of music was practising a version of 'Take the A Train' with a sax quartet that will be included in the programme.|
The main rehearsal went well too. We are enjoying Chris Hussey's potpourri from the 1974 film score: 'Murder on the Orient Express'.
|BWE is delighted to announce that Michael McGowan has been appointed as director of music for the ensemble. He held his first rehearsal at St George's Bloomsbury on Tuesday 1 February 2022. Details of Michael's musical career are given on the page of about our 'Music Directors' under 'About'.|
|Shea is leaving BWE and we are going to miss him.|
Members of BWE gathered in Coram Band Room - their former rehearsal venue - to share memories of the 16 years that Shea has been our director of music
Shea was presented with a new conducting baton and a book of memories. Images in the book came from the BWE on-line archive. The text was a series of quotes from members describing favourite moments from their time with the ensemble.
Shea was invited to cut the most amazing cake that had been commissioned by the ensemble for the occasion.
The Bloomsbury Band presented an exceptional concert at Lumen on the 4th of December 2021. There was a richness and warmth to the sound world created by this ensemble of flutes and clarinets
The programme featured six concert premieres and a great variety of works composed or arranged by David Morris (music director), by Roger Cawkwell and by members of the ensemble.
CollaBBorate, as its name suggests, was a group creation composed cooperatively by nine member of the Band.
In two of the items, Sophie put down her flute to charm the audience with her soprano voice by singing works by Berlioz and Mozart.
|This was the last BWE concert directed by our longstanding director of music, Shea Lolin. Details of the programme are described in our 'past events' page. For the first time we played at St James Church, Clerkenwell which proved to be a very congenial venue.|
We welcomed back Margaret Moore to be the narrator in Martin Ellerby's Sinfonia Aqua. This was a work that we commissioned in 2015 when Margaret was the origianl narrator in the first performance. In the same piece, Helen Russell took on the role of percussionist to play the tubular bells and foghorn.
At very short notice, the concert had been delayed a week because the Covid virus got to our MD in an untimely way. Sadly this meant that some of our players who had attended the rehearsals were not available. Some good friends of Shea and BWE joined in to make the concert a success including Alex Maden, Adele Gordon, Bethany Pearson and Anthony Bailey.
|Thanks to Covid infections we unfortunately have to delay our November concert by a week to Saturday 27 November. The programme and venue are unchanged.|
|Led by Shea Lolin, the Bloomsbury Woodwind Ensemble has thrived as a wind orchestra. We are now seeking to appoint a new director of music because the time has come for Shea to move on after nearly 16 years.|
You can download here a document giving more information about BWE and the role of director of music.
The closing date for applications is Friday 12 November.
We will interview selected applicants on Tuesday 30 November.
Shorlisted candidates will be asked to conduct an audition rehearsal on a Tuesday evening in January 2022.
On Saturday 2 May, David Morris, music director, orchestrated an on-line concert to celebrate the tenth anniversary of the Bloomsbury Band. The programme included pre-recorded items skilfully edited together from individual performances in the players' own homes. One example was the Song of the Blacksmith by Gustav Holst (as shown in the image above) with improvised anvil.
Other items were cleverly devised to be played live allowing for the inevitable and variable delays in the sounds experienced when using software such as Zoom. These works included Latent Potential composed by David Morris and Retune devised by Alison Henning to weave together improvisations by members of the Band.
In between the main items in the programme, there was a musical quiz in which audience members were invited to identify the theme tunes of films played by individual members of the band.
There were several duets too, including an Andante from a Teleman Sonata with both parts played by Kiran Barhey. The image below shows Helen Ahlfors and Erica Masala playing Konzertstück, Op. 114 no. 2 by Mendelssohn.
At the end of the concert, members of the audience were invited to join the Band members on screen for a well-deserved round of applause. The Band estimates that between 150 and 200 people were in the audience based on the number of logins to the event, some on behalf of several people. This is a record for the Band. Many attendees - friends and family of the Band - were seeing it perform for the first time, as attending the London concerts is not a possibility. This was particularly special. As a result, the Band will explore ways to livestream future concerts.
This was a charity concert that raised £260 for the Trussell Trust via Just Giving.
|You will understand that we have had to cancel all rehearsals and concerts until further notice for both the Bloomsbury Woodwind Ensemble and the Bloomsbury Band.|
We are all looking forward to making music together again as soon as it is possible.
We hope to welcome you to performances by our two ensembles later in the year.
The Bloomsbury Band is 10 years old. The Band had planned a celebratory concert for Saturday 2 May 2020. Former members of the Band were invited to come and play with the ensemble. The concert has had to be postponed. When possible, the programme will include new music for flute and clarinet choir which music director, David Morris, has commissioned new pieces for from four composers.
Ten years ago the Bloomsbury Woodwind Ensemble was well established. The length of the waiting list for clarinet and flute players had grown so long that the committee wondered what to do about it - bearing in mind that one of our objectives has always been to provide opportunities to play and perform for as many wind players as possible. After a good deal of debate we decided to go ahead and set up a second ensemble which began life as a flute and clarinet choir which we called BWE2.
David and the members of the Band have made a great success of the venture over the last ten years. We have no regrets about the decision to go ahead. The image shows BWE2 (as it then was) performing at Lumen URC in December 2013.
Shea Lolin has commissioned the British composer Judith Bingham OBE to write a new work for the Bloomsbury Woodwind Ensemble.
This new work for woodwind orchestra will be the thirteenth work to be commissioned by the Bloomsbury Woodwind Ensemble. Shea Lolin writes: “Judith Bingham’s compositional voice is unique and distinctive. Her harmonies are bold but not abstract. She writes phrases which are so naturally contoured and coloured with those daring and sumptuous harmonies. It will be a great privilege to work with a composer of such prominence on my lifelong fascination and dedication to the woodwind orchestra.”